A young village youth in the 1840s Estonia is eager to break a curse that would free a doomed maiden from the spring - not realizing he is under the spell of a nix.

Tracing the hidden life of interiors.

A young author goes to the countryside to write his next book. He runs into a boy passing through the area. The director employs exceptional visual imagery to describe the encounter between the two men.

Honda (Koji Matoba), a former Self-Defense Force officer, returns from Iraq emotionally scarred, losing his wife and daughter. He becomes a driver for the yakuza boss Isogaya (Noh Terada) but feels nothing in his hollow life. His emotions are stirred when he meets Kiriko, the wife of a man who committed suicide in Iraq. Kiriko, now Isogaya's mistress, encourages Honda to "live until you die." Motivated by her words, Honda begins a search for his daughter, plunging into the dark world of the yakuza.

Yasu, the son of an exiled man, discovered his passion for swordsmanship and went to Edo, where he trained under the name Ito Yagoro. Yagyu Sekishusai, fearing Yagoro's skill, sent his disciples to kill him.

激进分子变成了刺客，试图结束一场种族战争，但他们被迫在缅怀祖先和迷失自我之间做出抉择。

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The Joffrey Ballet's 1987 production of Vaslav Nijinsky and Igor Stravinsky's The Rite of Spring used reconstructions the original sets, costumes, and choreography from the 1913 production.

It is the depths of winter, and the snow is falling. The desolate landscape casts a melancholic note over the scene. A poor peasant woman awaits her husband, who has gone to gather firewood in the forest. When he finally arrives, they lament their sad fate. If only they had a child! This wish has been granted by the Spring Fairy, who appears before them. With a wave of her magic wand, she transforms the scene into a cheerful, flowery landscape. They themselves are dressed in rich costumes. The fairy summons flowers, which flow into her hand to form a magnificent bouquet, instantly transformed into a beautiful pink baby, which she gives to them. Then she vanishes, leaving them overflowing with joy and longing. This film, tinted in Barcelona by Segundo de Chomón, is currently lost and should not be confused with the remake done by Vincent Lorant-Heilbronn in 1905, also tinted by Chomón in Paris, which is widely available to watch.

This 1905 Gaumont produced film attributed to Alice Guy is lost. It has no surviving plot, summary or synopsis. Only a few stills are extant.